Search: Starring Delroy Lindo

Banderas is convincing in this role but he is the only actor who brings any grace to a movie which is filmed with a dark and obscure filter to match the unredeemingly seedy world it portrays.

As an old-fashioned disaster movie, with state-of-the-art effects and a script that floats, The Core definitely does the business.

There's a lot of interesting stuff here and the potential for a powerful film. This is Lee in quirky mode, however, empowered by Netflix to do pretty much whatever he wants and quickly losing his focus.

As a crime caper, it is complicated enough to make even Guy Ritchie go dizzy.

Over the years, people have tried and failed to be as cool as Travolta.

Gone In 60 Seconds provides you with all you need for a popcorn blockbuster.

Everything is elevated to an almost cartoonish level, but the performances are big enough to carry it, with Elba maintaining a calm presence at the centre.

To watch actors work with such unity of purpose is a scary thing, like balancing between probability and deception.

You'll soon forget the blues - this colour palette is as vibrant as the personalities.

For all its flaws and soppy side issues... the film certainly has its moments.

While both McGregor and Diaz are watchable enough as a likeable loser and a redemptive bitch, there's never any sense that they're 'made for each other'.

LX 2048 is at its best when exploring the ways in which two people who have obviously loved each other - and perhaps, on some level, still do - can seek so wilfully to destroy each other, even when they know that they too will be hurt in the process.

The One is a movie which really knows what it's about; but which, sadly, is about all of it within the first ten minutes, at least as far as the plot is concerned.

The film has an admirable discipline, encouraged by Li's unshowy style.

Push the plot too hard and it collapses. Best to sit back and do what you do with James Bond. If nothing else, the locations are breathtaking.

It is at times meandering and not a little mawkish, but its vivid primary colours conceal a great deal of shaded nuance.

Paul Morrison's film recreates the subversive undercurrents of suspicion within a white working-class community extremely well, in addition to celebrating the dignity and perseverance of the new immigrants.